- No sound from halion sonic pro#
- No sound from halion sonic software#
- No sound from halion sonic plus#
- No sound from halion sonic free#
Some of the editing parameters for the first Layer of one of the bass guitar Programs. Their so‑called FlexPhrase design incorporates over 1500 patterns, designed, in many cases, to reproduce complex playing styles such as flamenco guitar, and allowing you to convincingly 'play' an instrument just by hitting a single note. These are not your common‑or‑garden arpeggiators, either. Really big: not only can every Program have its own arpeggiator, but so too can every Layer within every Program. Halion Sonic is also big on arpeggiation. There is a comprehensive nested preset system that allows you to save Multis, Programs and Layers independently, and the factory content is all tagged with helpful metadata, allowing you to easily narrow down your search for the right Program to only, say, percussion Programs that are synthetic and appropriate to Industrial music. Each Program can have up to four insert effects, as too can each of the four Layers within it - making it possible, by my arithmetic, to set up a Halion Sonic Multi that includes no fewer than 328 effects processors, if you want to.
No sound from halion sonic plus#
A Layer can be either a set of samples plus associated playback parameters, an emulated analogue‑style synth engine, or one of a number of other sound‑generating units. Each Program is, in turn, composed of up to four Layers. Multis include up to 16 Programs, each of which can have its own MIDI channel, keyboard zones and so forth, plus four global send effects, four global master insert effects, and settings for the built‑in mixer. At the top of the tree is the Multi - in essence, a snapshot of all Halion Sonic settings. Each instance is up to 16‑part multitimbral, and it is based around a familiar hierarchical architecture. The browser window allows you to search for sounds under a number of different criteria.Ĭonceptually, Halion Sonic is very similar to Hypersonic 2 and, indeed, to many other workstation sound modules, virtual and otherwise. There were and are a number of third‑party options (see the Alternatives box), but these have now been joined by a new offering from Steinberg and Yamaha: Halion Sonic. Halion One sounded good and could be very useful, but offered only very limited potential for editing, so anyone whose explorations of MIDI went beyond the most basic dabblings was likely to want something more sophisticated.
No sound from halion sonic free#
It made sense for Yamaha's expertise in designing synths and sound modules to be brought into the Cubase world, and so it was, initially as part of the free Halion One instrument bundled with Cubase 4.
No sound from halion sonic pro#
Much of the original Hypersonic content would soon reappear as the free Xpand! plug‑in bundled with Pro Tools, but that was the end as far as Cubase and other VST or AU‑format hosts were concerned.īy this time (are you keeping up at the back?), Steinberg themselves were also under new ownership, as part of the leviathan Yamaha empire. However, by the time it came out, it was already clear that Hypersonic 2 was likely to be the final version, as Wizoo had been taken over by Steinberg's rivals Avid. Since these parameters included fully fledged subtractive, FM and wavetable synthesis engines, Hypersonic 2 concealed a remarkable amount of power beneath its unassuming exterior. And when Hypersonic 2 came out in 2006, it retained all of these core virtues, but added an excellent arpeggiator, an expanded sample library, and, best of all, the ability to edit every parameter in every sound, should you so wish. It was versatile, it was easy and quick to use, and in general, it sounded much better than it had any right to, given the compact size of its sample library. Developed by Wizoo, Hypersonic was a very usable attempt to create a multitimbral sound module along the lines of Roland's JV1080, but as a VST Instrument.
If I was asked to nominate the most under‑rated product of the last decade or so, one of the first things to come to mind would be Steinberg's Hypersonic.
No sound from halion sonic software#
Steinberg's new sound module software features a rich sound library, a powerful synth engine and the benefit of parent company Yamaha's workstation wisdom.
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